The Disney cup is in my hands. Cold brew, black, the way I like it, in a cup with Minnie Mouse on the side that I have owned since Christmas 2019. It is Saturday morning. The calathea on the windowsill has unfolded its leaves, a prayer plant opening for the day. The green sectional with the chaise is where I will end up, and I do not apologize for it anymore. I check the plant the way I used to check on my siblings, first thing, before anything else.
The cup is from the last trip we all took together. The calathea is from a friend who heard me say it was adorable and gave it to me because I liked it. I did not expect to receive it. I am still surprised when people give me things just because I like them. That surprise is a door I am still learning to walk through.
Last Christmas, I did not go home.
The phone call took me three days to make. I practiced it the way I practiced everything, out loud, alone, in the car. Mummy, I am not coming for Christmas this year. The sentence was short. The sentence was true. The sentence rearranged my whole body. My mother was quiet for a long time. She said, You are the one. She did not mean it unkindly. She meant that I am the one who comes, the one who makes it happen, the one who holds the family together. She meant the truth as she had lived it her whole life. I am the one. And I was telling her that this year, the one was staying home.
The guilt arrived before the call ended. It did not wait for her anger or her disappointment or her silence. It came the way it always comes, punctual, familiar, wearing my mother's voice. You are the one. The guilt and the love are the same voice. That is the part that makes this hard. That is the wahala. The wahala is not the boundary. The wahala is the guilt after.
Emeka called me after. Not to ask me to come. To say the thing no one in my family had ever said out loud, in my hearing, in my whole life. He said, Let her rest.
He said it about me. Let her rest. My brother, the youngest, the one I used to carry on my hip, the one I fed and dressed and walked to school. He said Let her rest, and I sat on my green sectional with my phone in my hand and cried the way I had not cried since that Tuesday three years earlier. Not because I was sad. Because I was seen. Because someone in my family had looked at the load and said it was too heavy. Not to me. About me.
I stayed home. I made cold brew in the Disney cup. I sat on the chaise and watched television and knit and did not produce anything and did not die. That is the sentence I keep coming back to. I did not produce anything and did not die. The world did not end. My family did not end. The roof did not fall in. The cup and the plant and the chaise were still there, and so was I.
I was raised to be everyone's safety net. That is not a metaphor to me. It is a job description. I have been the net for my mother and my siblings and, for a long time, any friend or coworker who needed catching. I have caught the rent. I have caught the grief. I have caught the phone call at midnight and the hospital visit and the thing that could not be said to anyone else. The problem with being the net is that the net does not get to have a life. It hangs. It catches. It does not sleep. It does not plant a calathea and watch it open in the morning. It does not buy a green sectional because it wants one. It does not say I am staying home for Christmas.
I visited home in the spring. My mother made jollof rice and we did not talk about Christmas. That is a kind of progress I did not know how to name. She asked about my work. I told her the truth about the health center and I did not tell her the truth about my Saturdays, because she is not ready for that and neither am I. We are learning the new shape together. It is a slow shape.
The calathea folds its leaves at night and opens them in the morning. It does this without my help. It is the one living thing I am responsible for that does not need me to manage its emotions. I did not realize how much I needed that sentence until the plant existed to say it. I did not realize how much of my life had been spent managing the emotions of everything I loved until I came home to a plant that simply folded and opened, patient, unsurprised by me.
I send less money home now. The guilt about the less is real, and the anger about the guilt is real, and I hold both in the same hand and do not fix either one. That is new. That is a sentence I could not have written two years ago.
A boundary is not a wall. I keep having to tell myself this. A wall keeps people out. A boundary is a reknotted net. The net is still there. It still holds. It still catches the things that cannot be allowed to hit the ground. But it has edges now. It has places where I am not the mesh. It has knots I am learning to tie that are not made of my own body. My mother is still in the net. Kemi and Ngozi and Emeka are still in the net. The difference is that I am not the whole net anymore. Ngozi calls less and I let her. Kemi calls too much and I love her anyway. Emeka says Let her rest, and I rest.
The three objects are mine. That is the whole inventory I am learning to keep. The Disney cup from the last time we were all together, full of cold brew I made for myself on a Saturday. The calathea that folds and opens without my help, a gift I did not expect to receive. The green sectional with the chaise, bought because I wanted it, where I knit and nap and wake guilty and stay anyway.
These are not trophies. They are not lessons. They are the awkward, ongoing shape of a woman learning that she is allowed to be one of the people in the net and not just the net.
The net is smaller now. It is differently knotted. It still holds, because it is still mine, because I am still theirs. But I am not the whole net anymore. There is a calathea on my windowsill that opens without me. There is a Disney cup in my hand that remembers all of us together. There is a chaise where a woman who was raised to catch everyone is learning to lie down. The net is still a net. It just has a shape where she fits too.
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